Showing posts with label fantasy writing. Show all posts
Showing posts with label fantasy writing. Show all posts

Thursday, 30 May 2019

A Salute To Those Who Do Their Research . . .


I've been reading some Historical Fiction recently - Judith Arnopp to be more specific. Next on my reading list is the 'The Kiss of the Concubine' which is an Anne Boleyn story, but the one I've just finished is the 'Intractable Heart', which is the story of Katheryn Parr (you'll be amazed how many different ways you can spell Katheryn/Kathryn/Catherine. Seems Henry VIII was working his way through them all).

I've read other historical fiction authors - Philippa Gregory comes to mind - but out of everything I've read, I've not come across one that tells the story of the 'wife that survived', and I found it really interesting. When people talk about HenryVIII, the mind automatically moves to the tales of Catherine of Aragon and Anne Boleyn - occasionally Jane Seymour, the mother of Edward VI - as these have always been the more popular stories, but the other three wives are less mentioned, as if the notion of  'yet another new wife' grew tiresome and their stories less worthy. But they're far from that and I do love a bit of history.

One thing I do have to praise these authors for is their dedication to research. All writers need to do their research, regardless of what their working on. If you delved into my recent Google search history, which I don't recommend, you'll randomly find lots of articles on how to slit someone's throat. No, I'm not secretly planning on changing my career to one more gruesome. This occurs in my recent piece, and even through it sounds like a simple enough thing to write about, believe me, it's not when you have to consider the damage involved. And unless you have experience in this kind of thing - which I DON'T - then research is needed.

Writing historical fiction can be a dangerous thing. Everything needs to be spot on and accurate, and you only get a tiny amount of creative licence. Stories told in a modern setting are easier as we already know the mundane stuff needed, but for historical fiction, research is imperative. Having a chambermaid walk into the bathroom to find Henry VIII standing against a porcelain urinal isn't going to work, even if you call it Genuine Tudor Porcelain. It's a nope. Catching a cook stealing some leftover food and heating it in the microwave? Again, nope. I know these are obvious things but you get my point. It's the little details like this that can make or break historical fiction, the details of the Queen's dresses, the specific name for a hat, what they use to ease a headache or treat a wound, and to avoid screaming reviews of inaccuracies from readers, you need to do a copious amount of research.


I write dark fantasy and horror - hence the throat slitting thing. You get a lot more creative leeway with these genres, but you still need to do a lot of research. Many fantasy stories hold a historical element, usually medieval. We get characters riding across the lands on horseback, carrying heavy swords or huge axes that have seen more deaths than the grim reaper. So, travelling characters, what do they eat? How do they cook? What do they use as shelter at night along their way? Their weapons; how were they forged? How do the keep them sharp after slicing numerous heads off? For this we draw on history, and it has to hold some element of realism for the reader to be able to connect, to believe.
I find this historical research interesting, and often do find myself getting carried away, reading much more than is needed. But there is a drawback reading into history, and this is why I say 'History should come with a Spoiler Alert'. You know the end to the book you're reading before you get there. History has told you that. Still, we all enjoy the journey getting there, be it factual or fictional.

So to those who have to do a copious amount of research to keep those annoying inaccuracies away, I salute you. A job well done!


Thursday, 18 April 2019

Religion in Fantasy . . .

I've just recently finished the first draft of my current piece, Blood for Blood. It's basically the 5th installment in my Dark Fantasy series, The Egaean Archives.

I've struggled with this piece, I won't lie. Hidden sub-plots kept springing up and I think I felt a little over-whelmed at times, like I had bitten off more than I could chew. (What didn't help is that I broke my own rule and wrote and self-published Tunnel half way through this one). But chew I did, and 120,500 words later, it was finished. Again, just the first draft I have to keep reminding myself. I am pleased with it but it's far from perfect.

One charater turned out to be not quite who I expected. He ends up being my main antagonist, and throughout the story, he has changed who he wants to be; an Advisor, a Priest, a Commander in the Royal Guard. He just hasn't been consistant, but as the piece drew to a close, he eventaully made up his mind. He's a Cardinal (still going along the priest line), which is great. The end climax is in a monestary and this now makes perfect sense.

BUT...

What is he a Cardinal of? Religion does feature in my world, but it's only been something I've touched on. In order to flesh out this character, I need to know who he is and what he does, and in order to do that, I need to flesh out my religious system. I already have one historical story set in place which features heavily in two of the other pieces, but it's not enough. So where do I even start? It's like world building from scratch.

I've decided to go along the similiar sort of lines of ancient Greece with many gods, each with their own role to play. I'll have the people aware of these gods, but the majority will only worship one main one. I just need to figure out who these gods are now. A fun way to spend Easter Weekend.

What about you guys? Have you ever had to create a whole new religious system for your piece? How did you go about doing that?